Thursday, September 2, 2010

Well Written books, with Pictures!

I recently stated that some of the best writing I have ever read was in comic books. I keep having to make the point that I am an English major (and a pretty good one, if my work so far is any indication), and here it should serve to reinforce the point that I know what good writing looks like. So as I go through my list of books on ComicRack (my digital reader of choice), I've decided to make a short list of some of the best writing I've ever read, comic-wise, in no particular order, (this is not a list of my favorite comics, but a list of the ones I think are the best written):

Cover of Cover of Watchmen
  • Watchmen, Alan Moore: I'll go ahead and explain the convention here of only naming the writer of the book, since I'm not making a list of most brilliant artwork in a book (though Dave Gibbons is no slouch here). Anyway, I am obviously not the first person to say Watchmen is awesome, and I won't be the last. This is largely thanks to an abundance of absolutely awesome writing, with Moore showing off his versatility by bringing together a world of vastly different characters, as well as an astonishing amount of background info about the world they live in. I never got to read it in its initial serial form, as I was two when it was finished, but it was one of the first graphic novels I added to my bookshelf, and I read the Dr. Manhattan parts repeatedly when I first got it, because it was so poetic. Every now and then I still reread it, and I never get tired. Everyone should read this book, partially because it is basically a genre-defining work, but mostly because it, like Shakespeare, or a Taco Bell Chalupa, is exactly as good as advertised



  • Bone, Jeff Smith: This is here for very different reasons, because there aren't as many singularly eloquent speeches here, but there is a clear sense that Smith knows exactly what he wants to do with this story, which counts for a lot. In the technical sense, the tone of the story is perfect, and it stays that way throughout. If I were to pick a favorite part, it would have to be Book 6: Old Man's Cave, largely because I looked for it in stores and online for well over three years, and could not find it until 2007, (that volume was released in 1999), when I bought the whole thing in one volume. It was totally worth it. 



    Cover art from Absolute PlanetaryImage via Wikipedia
    • Planetary, Warren Ellis: Because Warren Ellis is clearly a serial genius and John Cassaday is his shape-shifting accomplice, Planetary is awesome. The story of Planetary is not entirely new, as the whole series is an homage to hero stories of the past, but a story doesn't have to be new to be great, and Ellis' strength in my opinion, is his unbelievably clever sci-fi writing, which seems to be more along the lines of Asimov, than DC. Of particular note for me are issues #12 and 26, when awesomeness is afoot.
    • The Absolute Sandman, #1 slip cover.Image via Wikipedia
    • The Sandman, Neil Gaiman: Neil Gaiman = win. I don't know how to properly explain how good these books are, they are not only filled with haunting images(in a good way), but also some of the most intellectually challenging writing I have ever seen. Plus, there is an amazing amount of just plain beautiful verbiage, in every issue. For a best of the best, I'd go with Brief Lives, in which "we all know everything, we just pretend to ourselves that we don't to make our lives bearable"

    • Ultimates, Mark Millar: Up until this point, Marvel has been taking a serious beating on this list, since 3 of the previous entries are DC properties. However, I will go on record as saying that for the main brand, Marvel has much stronger writing. The Ultimates are a great example of this, with the ability to take these heroes(they're the Avengers, in case you didn't know) and make them real, socially relevant people. I cannot find the exact number of the issue I wanted to highlight, as blogger appears to make my computer really slow, but there is an issue in which Nick Fury is the focus, which I think is emblematic of the series: very strong characterization, and plot twists.

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